何必館 京都現代美術館

I didn't know about it before. I saw the pumpkin by mistake. I was so excited that I couldn't. I was so lucky. At 10:00, I started to buy tickets from the ticket vending machine. I sat down next to it and got my shoes in plastic bags. I didn't know what was going on at the beginning. I wanted to take off my shoes. I put 100 yen in the entrance to deposit things and I could retire. For the first time, I watched Miaosheng in the grass on the Tami barefoot. Have had a comfortable experience. It's really worth the return ticket. Besides the exhibition, there are several balconies to enjoy the Japanese garden. If you don't hurry, it's good to sit there and see the scenery.

Walking in the night, I saw such a sign - "Why Museum Kyoto Modern Art Museum" unexpectedly. The poster on the side shows that the Elliott Erwitt exhibition is in progress, opening from 19:00 to 18:00. I'm late.

Why do you need to take the elevator to the fifth floor when the door opens the moment you see the scene. Red leaves are beautiful, but I prefer the "silence" after the bustle is over.

京都国立現代美術館のコレクションには関西を主とする西日本美術作品が大きく占められており、その中でも京都の現代日本画や工芸作品は優れており、現代世界の陶芸、染織、ガラス工芸レベルの欧米作品や世界写真史の重要な作品コレクションも非常に多い。豊か。美術館にはコレクションを展示する常設展があり、約6,600点のコレクションから作品の一部を選び、時間内に順番に展示し、国内外の作品を紹介する特別展や、美術館のニュースレター[ウィンドウ]を発表し、展示関連の講演会を開催しています。

いい観光スポットに見えます。いいものがたくさん見られます。

これはなぜ先生の作品が比較的完備した館であるのか。

From here on, it's a comparative downtown attraction. Why should the museum be quietly hidden in the crowded Zongyuan, a five-storey art museum, but the door is narrow, looking for the way through its doors twice did not find. This time we met the Showa Times Photography Exhibition of Ibaraki Kimura. It was very interesting. The lens witnessed the living conditions of urban and rural people in Japan after World War II. Previous exhibitions included Robert Doisneau and Henri Cartier-Bresson.