大分県立美術館 OPAM

大分県立美術館は大分駅から歩いて15分ぐらいかかりますが、私たちは自分で運転していますので、車で行きます。駐車場があります。30分以内に無料です。大分県立美術館の外観はモダンで、芸術感に満ちています。残念ながら展示されている展示はあまり魅力的ではないので、入場できませんでした。

大分県立美術館は、外観デザインと街の遊歩道が一体となったモダンな建物で、内部は大面積のガラスデザインを採用しており、美術館の内外を明るく、暖かく、柔らかく、芸術的です。到着の際、館内2階には4、5つの展示エリアがあり、それぞれ一定の芸術水準を持つ芸術作品が展示されています。特に今回は大分県立美術館で日本の江戸時代の浮世絵の大家である哥川広重と鈴木春信と葛飾北斎の浮世絵を鑑賞しました。本物の製品を味わうだけでなく、アンデス文明の出土陶器などの展示品も鑑賞しました。素晴らしいです

Ban Mao of Dafen County Museum of Art wants to design a "backyard" art gallery that has no sense of oppression and can attract pedestrians to step in at any time. Therefore, in the first and second floors of the building, a spacious atrium and coffee space are opened. In addition, in order to avoid pressure, glass material is used on the exterior wall of the building, and the front door is even designed as a horizontal folding type, so that the whole street and museum are integrated. Museum details can make people feel a lot of unique culture. For example, the lattice design of the upper half of the exterior wall reminds people of the traditional bamboo craftsmanship. The oblique support uses Chinese fir produced in Dafen County, while the vertical support is combined with steel bar and fire-resistant laminated timber to prevent fire. In addition, considering the possibility of water immersion, the height of the first floor of the museum will be raised by 1m, and the electrical equipment will be centralized on the roof. Fig. 567 is a variety of games sculpted with four mirror stainless steel letters of OPAM. Fig. 9 is a folded opening along the curtain wall door.

企画展ごとにレイアウトもショップもガラリと姿を変えます。建物自体もすごく美しい。清潔感に溢れ、広々としており、展示を存分に楽しめます

内部と外部の両方がモダンで幾何学的な造形美を観察できる美術館!!大分県立で管理が非常によくできています。

In fact, the design of visiting Banmao in the evening by OPAM is quite clean. The application of straight lines and arcs is very comfortable. The shape of complex curves in important parts also highlights the soft side in the hard form. In the evening, the combination of sky light and lighting makes the lighting effect of building space more brilliant, and various reflections of metallic glass are beautiful. Figure 9 is the lobby outside the top floor exhibition hall. The hyperbolic wooden lattice ceiling always gives me an illusion. Carelessly entered the exhibition hall, Lao Wen's day encounters almost repeat on me (embarrassment) (snickering). The old lady of the staff took me to the front desk to buy tickets with great courtesy. Fortunately, the front desk staff understood English and avoided a robbery.