「バック・トゥ・ザ・秦王朝」公演のレビュー

「唐への夢」は西安唐王朝芙蓉園の保存レパートリーで、現代芸術の手法と新しい視聴覚効果で、華やかで華麗で壮大な唐王朝の歌と踊りの文化を表現しています。 、華麗でファンタジー、神秘的な刺激、カラフルなカーニバルと大規模な音楽とダンスパフォーマンス、ドラマ全体は6つのシーンに分かれています「夢のネオンの服」、「夢は秦王を招待する」、「夢は華清を浴びる」、「夢は西域」、「曲江を夢遊する」、「唐に戻る夢」など。

The theatre performance center covers an area of 8,000_. It uses the pioneer immersion performance form and music, dance, drama and modern projection technology to bring audiences an audiovisual feast. It enables audiences to experience the original life of the Qin people and the historical changes of the transformation of the Qin people into a powerful country.

Very good Qin Dynasty through the situational experience drama, from the very beginning of the first generation into the feeling, Bai Shi long acting is very good, with Shaanxi dialect narration, very local characteristics. Dancers are also very good. In Act 3, double dancing is very beautiful and silhouetted. The last scene of the battlefield is really a sweat pinched for the crisis of the war. Very not to do, free experience of the net red bowl wrestling wine," Lao Qin, went to the national disaster "this words, heart shocked, it is a call from the heart, King Qin swept six in one, tiger look at He Xiong.

Very good live performance, the actors are very dedicated, the performance is in place, plot, music and other basic reference drama "Daqin Empire" the first "black fission" for script change. The male and female principals became Bai clan people, showing the plot of Qin people going to the national calamity. The performance provided enough interaction for the audience, dried a bowl of wine, broke a bowl, archery, watching and so on. The general feeling is OK. If the center can be further refined, don't think that it would be better to show the development of decades in one breath.

Has been looking for cultural connotations of the performance, Che Ctrip than the door market price concessions, decisive, only 19:30 a night at present, the theatre has the Qinling Terracotta Warriors and Horses unearthed cultural relics copies of bronze chariots and horses, very delicate. There are many historical allusions mentioned in the whole play: Shang Evolution Law, Tongue Warfare, Confucianism, Dingzhi, Mianmu Lixin. The actors portrayed the old Qin people as sentimental and meaningful, the drama moved, and the scene shocked, which is worth watching.

After watching Xi'an's "Dream Back to the Great Qin Dynasty", I felt the charm of this famous historical and cultural city of thirteen dynasties. In the performance, we are not only the audience, but also the characters in the story, as if we had really traveled through the millennium. Being in it, we feel immersed in the situation and let the tourists forget their identity. In the third act, the heroic action of throwing bowls and wines is very heroic, with the generous spirit of Shaanxi people. Every scene of the whole play has its own brilliance, which is suitable for the old people and children to watch and enter Daqin Dynasty to experience. History and culture.