梅田芸術劇場シアター・ドラマシティ

At last it was the last 10 minutes! The speech speed of the stage play is really fast, but the general feeling is that the final feeling of praise is that you can't hold the hostess. Height issues

I have been describing the stage with others all the time. It's very touching to be back in front of me. The interpretation of sauce is totally different from osa. In fact, I always feel that this is completely osa's role, and I have no good feeling about the repetition, or I have a little bitter love sauce. Before I went, I thought I could imagine the effect of the whole stage and know how to play Aisai.

The scene really gave the chairman a kneeling qwq to the audience as small as 10 years old or younger, so big as the grandmother who helped each other to attract people of all ages. The second floor is really in the middle, but not so satisfied to see a real giant.

Before leaving, Meita had made mental preparations, and the logo was not clear. As a result, it was clear that the distance could be reached within 10 minutes from the subway station. She lost her way for more than half an hour and made a big circle, so she had the privilege to see Japanese ladies waiting for them at the back door and a woman along the way. There is a big gap between the visual measurement of the theatre itself and the imperial opera and the Baozhong Grand Theater.

In the gorgeous Concert Hall in Umeda Arts Theater in Osaka, you can see plays and musicals. There is a movable acoustic reflector. A beautiful theater. Location is closer to Umezu station than Umeda station. As for the theater, the seat is easy to sit, and there are steps, so it is easy to see the stage. In the third floor, it may be difficult to see the edge of the front of the stage. I sometimes look at the third floor, but I'd better take a pair of binoculars